玩偶之家(中英对照全译本)

出版社:世界图书出版公司
出版日期:2013-6-1
ISBN:9787510059629
作者:亨利克·易卜生 (Ibsen H.)
页数:196页

作者简介

《玩偶之家》是易卜生的代表作,主要写主人公娜拉从爱护丈夫、信赖丈夫到与丈夫决裂,最后离家出走,摆脱玩偶地位的自我觉醒过程。剧本结构紧凑,情节集中。全剧采用追溯的手法,通过债主的要挟,海尔茂收到揭发信,交代剧情发展的关键事件娜拉伪造签名,然后集中刻画他们冲突、决裂的过程。

书籍目录

DRAMATIS PERSONAE
1
人物表
1
ACT I
2
第一幕
2
ACT II
76
第二幕
76
ACT III
136
第三幕
136
中英对照全译本系列书目表
195

内容概要

亨利克•易卜生(1928-1906),挪威著名戏剧大师、诗人。他是欧洲近代戏剧新纪元的开创者,在戏剧史上享有同莎士比亚和莫里哀一样不朽的声誉。


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精彩书评 (总计3条)

  •     读完这本书,才得知这是丹尼尔・S・伯特 先生排名的世界100位文学大师排行榜里排行35的经典作品,能够读完真是幸运感动。这本书很短,故事情节简单,我用了3个小时就看完了原版的。喜欢这种简单朴素的英文,读来不费劲。通篇以戏剧形式展开。全篇有三幕,每一幕简单的场景介绍就是对话展开。没有太多内心的描写和其他的交代,就可以把故事娓娓道来得如此生动自然,实在是佩服。莎剧也是这样的吧,我正打算展开莎剧的阅读之旅。书中讲述的是女主人公Nora,Torvald 的妻子,八年前因为Torvald得病,Nora向Krogstad借了200多磅,同时也开了借条,借条上需要得到Nora的父亲亲笔签名,但是Nora不想让她父亲知道这事,所以就自己代签了,而这借款一事,Nora也不想让他Torvald知道,因为她担心他知道后悔发飙,崩溃并且会不爱自己了。然后一直省吃俭用还自己写书,来偿还债务。后来,torvald当上了银行经理,Nora的旧友,无依无靠的寡妇林丹太太的到来,让原本表面宁静的一切不同了,林丹太太想靠Nora的人情,让刚做上银行经理的torvald给自己一个在银行一职半位。最终Nora推荐成功了,谁知,林丹太太得到的这个职位,是Krogstad 辛苦打拼来想要做自己翻身的基础。最后Krogstad威胁Nora让他丈夫把这职位留给自己,Nora没劝成功,最后Krogstad就把借钱以及Nora假签名的事用信的方式告诉了Torvald,Nora试图阻止这封信落到丈夫手里,最终也没成功,当他丈夫知道这一切的那一刻,果然发飙了,对着Nora大吼,而让Nora担心了八年的这一刻终于到来了。但是后来当Torvald发现Krogstad 把借条跟信一起寄来的时候,他欣喜若狂,当即把借条毁了,让如噩梦般的一切结束。尔后他又甜言蜜语安慰Nora,这种转变让Nora看呆了,也让她想明白了,她自己像一个玩偶,被人玩弄着,自己的存在就是讨人喜欢,做别人喜欢的事,他丈夫不是爱她,而是爱这种被爱的感觉和Nora任由其玩弄的感觉。所以,她最后选择了离开这个家,离开孩子,离开丈夫,到远处去,开始寻找自我的旅程。最经典最值得深究的是戏剧的最后女主人公的彻底清醒后会说的几段话,这算是个喜剧,最后起码主人公清醒了,自救了。读完整个故事,我觉得很震动,对于我来说这故事好像我自己的缩影,有某些时候我就是做着跟女主人公同样的傻事,没有自我,追随别人。(未完,待续)
  •     I was wondering what's Dr. Rank's role in this play after reading A doll's house. So I googled it, and found this article which analyzed the charater of Dr. Rank and explained the relationships between Dr. Rank and Nora, Dr Rank and Torvald Helmer. I think it make sense...Character Analysis---Dr. Rank Dr. Rank is often overlooked in analyses of A Doll's House. This is most likely because he doesn't do much. Nor of his actions directly affect the action of the play. He's in love with Nora, but that goes nowhere. Nora considers asking him for money, but then decides against it. Even Rank's impending death doesn't really affect the action in any major way. His supposed friends briefly lament him and continue on with their domestic squabbling. So, why is Dr. Rank in the play at all? Ibsen knew a thing or two about writing plays. He must have had some purpose for Rank, right?The first function we see Dr. Rank fulfill is providing a little exposition on Krogstad. Rank tells Nora and Mrs. Linde, that Krogstad "suffers from a diseased moral character" (1.247). The good doctor goes on to relate Krogstad's history as a criminal and blackmailer. This function doesn't seem to totally justify Rank's existence in the play, though. Another character could've just as easily got that information out to the audience. Rank's talk of moral disease and his own affliction are often cited as symbolic. He has tuberculosis of the spine. This could possibly be meant to represent the diseased backbone of unenlightened society, a society where men and women don't live as equals. His death also could be seen as symbolic. It comes at the same time as the "death" of the Helmers' marriage. The two ideas are linked when the cards with black crosses come in the same mailbox as Krogstad's marriage-shattering letter. It seems that Rank's most important purpose in the play is to reveal things about other characters. His relationship with Torvald reveals Torvald's superficiality. This is shown when Rank decides not to tell Torvald directly about his impending death. Rank tells Nora, "Helmer's refined nature gives him an unconquerable disgust at everything that is ugly; I won't have him in my sick-room" (2.152). The doctor knows his friend well and is well aware that Torvald has a child-like horror anything remotely unattractive. Statements like this show that Torvald may be the sheltered one in the Helmers' relationship.Rank's relationship with Nora gives us one of our first big clues into the distance that truly lies between the seemingly perfect Helmers. Nora says that her husband "used to seem almost jealous if I mentioned any of the dear folk at home, so naturally I gave up doing so. But I often talk about such things with Doctor Rank" (2.44). It's pretty telling that Nora is only able to reveal her true self to Rank. Nora also admits to Rank that "being with Torvald is a little like being with papa" (2.217). This is a pretty major statement and, without Rank there, Nora never would have said it. All in all, it seems that the doomed Dr. Rank is really around just to help us learn more about the main characters.
  •     以前只是听说,今天总算是读过了。你心中的娜拉或者你心中的海尔茂?第一瞬间,我们总会有某一映像在脑海中浮现,你的娜拉呢,恩爱甜蜜的生活。其次,你是海尔茂吗?你会为了娜拉承担一切责任吗?会的,那是必须的,这是直面的回答,再其次呢,你真的能负责吗?或者是你肯独自受伤来承担一切吗?你有心中的底线吗?那么的你的底线在那里呢?娜拉的出走对他肯定是一张解放,在当时的社会也是一种挑战,自我挑战,自我解放。当我牵着你的手,对你说:亲爱的,我会不顾一切的爱你,我心中自有那不顾一切的信心。那么反过来,你会瞒着我做你认为对的、可以救我的事情吗?

精彩短评 (总计31条)

  •     我还记得高中语文老师说的,娜拉离开之后呢?
  •     全英文看的
  •     关于婚姻与爱情,每一个人都会在人生的某个时刻醒悟过来。娜拉的醒悟是无数女性醒悟的代表,而男性的醒悟还有待于进一步挖掘。很久没有人用者极其温柔的方式触碰过我脆弱的心灵,而《玩偶之家》显然可以轻而易举的摧毁一切的大男子主义和脆弱的婚姻关系
  •      这是一部写给女性看的戏剧。书中娜拉和托伐和关系,现实中比比皆是。女人依赖丈夫,虽然司空见惯,但是,自己要明白,这是不正常的!像主人和宠物,父亲和女儿一样相处的夫妻,心灵上必定难有平等的交流。这对有觉悟的女人来说是可怕的。婚姻中的两个人必须有价值观的沟通和碰撞。 在平常的日子里,夫妻之间只有深入交流,三观才能磨合一致,即使风浪来袭,也能坦然面对。
  •     “千千万万的女人都为男人牺牲过名誉”“但是没有男人愿意为了他爱的女人牺牲自己的名誉” 想起来一些事重读了这个剧本,虽然在当时也算是女权先声,现在看来,评判力度远远不够。
  •     十分佩服,用小小的一本书写完娜拉从做爸爸和丈夫的小玩偶到独立自强,我反正是写不出来,就和看电影一样,看到作者的匠心独具和诚意,我往往都不忍拒绝这样一本书。
  •     这一版翻译的比较随意。女性独立意识很突出,好像没有传说中的那么好,也许重要的是当时的时代意义。
  •     RANK是暗恋NORA吗?
  •     娜拉终于出走,终于想要去找寻自我。这是娜拉对自己的解放与牵引,也是女性的自我认识。
  •     是天真无邪、奋不顾身还是愚蠢愚蠢愚蠢?
  •     女人看女权,男人看什么呢
  •     这是社会永远的一道伤疤,可悲的是就连说这句话的我也不过是一个从伤疤上饮血为乐的人
  •     看到了婚姻中男女相处的一种模式。坚信女生应该在婚后仍然保持自己经济的独立,和话语权。
  •     结局很好
  •     错别字过多
  •     不要买这一版,错字、少词的失误很多。剧本不错,但远不如易卜生的另一部作品野鸭。
  •     Helmer:I would gladly work night and day for you,Nora--bear sorrow and want for your sake.But no man would sacrifice his honour for the one he loves. Nora:It is a thing hundreds of thousands women have done.
  •     娜拉走了,会去哪里呢
  •     八年的感情,不过是一场梦而已。梦醒了,也就该分了。托伐只是说的好听,却没有真正的行动起来,当他感到受到威胁的时候就恶语相加,他让娜拉感觉不到真正的安全感。
  •     时刻面临信任危机的爱情
  •     汉语译文发现好几处误译。还以为作者是女的呢, 原来是位男性在为女性打抱不平。论女权主义思想是如何形成的,之玩偶觉醒记。直至今日,还有多少narcissist men 在secretly or openly want to have a doll wife!!!
  •     You have always been so kind to me.But our home is a playroom. I have been your doll wife, just as at home I was papa's doll child. I must try and educate myself - you are not the man to help me in that. I must do that for myself. And that is why I am going to leave you now. Nora 离开之后会发生什么?
  •     论女性的不服从。
  •     出现在那个年代的意义大过情节吧
  •     No man would sacrifice his honor for the one he loves?
  •     一本应该推荐所有的gold digger都来看的书 然而…他们都蠢到去做gold digger了 大概也没有多余的智商能够看得懂了
  •     在国家大剧院看了曹颖和他老公同台演易卜生的话剧,多少有点感叹唏嘘。时间都去哪儿了。这本中英对照的版本,跟小时候看童话书的感觉一样,有意思。
  •     比我想象的要尖锐。
  •     Mark 参加比赛拿的书券买的书。
  •     人性自私的一面与女性渴望获得解放的一面浓缩在本剧中。有时候,男性未必有女性的果敢。之前读过的《羊脂球》便是典型代表。
  •     总感觉觉醒得很突兀。
 

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