《亚当夏娃日记》书评

一些书摘

很清新很干净的一本书。就像芒果街的小屋一样。作者隐藏在文字背后，简单的文字中，娓娓讲述着他内心深处的故事，不需要太多文字记述我的感想。在眼睛与文字邂逅的那一瞬间，一切就已经明了了，清晰了。。亚当日记I believe I see what the week is for:it is to give time to rest up from the weariness of Sunday. The buzzard must get along the best it can with what is provided. We cannot overturn the whole scheme to accommodate the buzzard.She told me she was made out of a rib taken from my body. This is at least doubtful, if not more than that.Fasten name to things.a035She has littered the whole estate with execrable names and offensive sighs.a-021 女人为世界命名。Sunday: pull through无聊度过每一个星期天。A 063 there ought to be more Sundays. In the old days they were tough, but now they come handy. 但现在却衷心的期待。Eating the fruit: introduce death to this world. That was a mistake- it had been better to keep the remark to myself; it only gave her an idea- she could save the sick buzzard, and furnish fresh meat to the despondent lions and tigers.亚当日记中，描述女人的世界观，女人眼中的食物链。Desist, I was obliged to eat them. I was so hungary, it was against my principles, but I find that principles have no real force except when one is well fed… no…except什么意思。A059came making that pitiful noise again and shedding that water out of the places she look with.At such times the water comes out of the places in her face that she looks out of and she pats the fish on the back and makes soft sounds with her mouth to soothe it and betrays sorrow and solicitude in a hundred ways. 情不自禁流露出无限的哀伤和关切。尤其注意这句话中，亚当眼中，对女人流泪和小孩的描述。A065 in my judgement, it is either an enigma or some kind of a bug. If it dies, I will take it apart and see what its arrangements are. I never had a thing perplex me so.亚当对小孩的疑惑。67 3 months later, the perplexity augments instead of diminishing.夏娃日记Is my position assured or do I have to watch it and take care of it? The latter, perhaps. Some instinct tells me that eternal vigilance is the price of supremacy.( that is a good phrase I think for one so young) e005

有你在的地方就是伊甸园

这本书很漂亮，见它第一眼就喜欢上了此书采取男女日记的方式叙述中英结合伴有插画语言简练，风趣值得一看

很美的书 值得收着

这本书是礼物，拆开的时候就觉得她很美，书的皮肤体貌都很细腻，同事经过，几乎都会拿起这本书翻翻，说明视觉上她必然是美貌且有吸引力的。再说内里排版，纸张的白度，光滑度，柔韧度都刚刚好，文字的大小也刚刚好，位置也刚刚好，字形也刚刚好，油墨的深浅也刚刚好，英文对照的距离也刚刚好，兰色用得刚刚好，插画用得刚刚好，插画节选的文字也刚刚好，以上，多一分少一分都会有些不尽如人意。这本书如果别人不提醒，这样装帧的书籍我都不会想到是马克·吐温的。不过正是他写的，完成这本书这些他花了十二年，里面的语言简单笨拙得就是亚当和夏娃他们本身的样子。中文翻译得很灵巧，英文原本好像显得还要纯简些，直接阅读也不会有什么障碍。于是我有些纳闷，这样的文字是马克·吐温写的吗，那个写过《百万英镑》《竞选州长》还有众多精彩短篇的幽默实时小说家写的吗？可是确实是他写的，没有玩弄情节，文字，没有抨击，讽刺，一改他严肃有力的笔法，写下这些温暖的文字，一度我都以为是小王子的作者写的，因为那样的温暖和未经修饰。所以我感慨于成人的童话，用看过世间百态的眼睛，再看人之初的单纯，对万物的爱，对一切理所应该的事情理所应当的态度，没有现代人际的复杂——因为你是男人我就爱你，因为狮子就应该吃肉，因为雷龙巨大所以可以考虑偶尔当作桥用以过河。然后喜欢就接近，被排斥就哭，为万物命名，繁衍生息，一切本应该是这个样子的。最后，也许年迈的夏娃在想：如果有一个人必须先走，我希望是我，因为他坚强，而我柔弱。——就像一切珍爱对方的女性一样。而亚当在夏娃的墓畔写到——亚当：她在哪儿，哪儿就是伊甸园。