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出版社:对外经贸大学出版社
出版日期:2012-9-1
ISBN:9787566304391
作者:陈倩
页数:206页
作者简介
英语论文写作,ISBN:9787566304391,作者:陈倩 编著
书籍目录
Part I Preparation
Unit 1 What Is a Dissertation?
Unit 2 Writing Process Awareness
Unit 3 Choosing Topics
Unit 4 Collecting Materials
Unit 5 Facts and Opinions
Unit 6 Taking Notes
Unit 7 Designing a Questionnaire
Unit 8 Research Proposal
Part 2 Writing the Paper
Unit 9 Elements and Structure
Unit 10 Outline
Unit 11 Introduction
Unit 12 Literature Review
Unit 13 Conclusion
Unit 14 Abstract
Unit 15 Reference and Bibliography
Part3 Mechanics
Unit 16 Formal and Informal Style
Unit 17 Tables and Figures
Unit 18 Numbers, Titles, Capitals and Abbreviations
Unit 19 Revising and Proofreading
Bibliography
章节摘录
CONCLUSION With the three translated versions of Shakespeare's play Romeo and ju/iet as a case,this paper has tried to take skopostheorie as theoretical basis to guide the drama translation. Examples from the three Chinese versions of Romeo and ju/iet are analyzed from the perspective of linguistic style, culture and performability. The research demonstrates the applicability and feasibility of skopostheorie to drama translation and investigates a set of feasible drama translation strategies. In the frame of skopostheorie, the three translators adopt different translation strategies according to their translation purposes. The three translated versions show different features, but they all satisfy their own purposes. Liang Shiqiu follows the original text firmly, and renders it with the same sentence structures and cultural elements as much as possible. In his version, notes are added to explain the images which are hard to understand. His translation gives the receptors a vivid description of foreign style. The receptors can appreciate and learn the thoughts of foreign countries. Zhu Shenghao mainly uses free translation and changes the sentence structure and renders them into Chinese flavor. The receptors can appreciate his excellent language expressions. Cao Yu also adopts free translation rather than word-to-word rendering. He pays much attention to the performability of dramatic text and the target audiences'reception because he translates it with his definite purpose: to put it on Chinese stage. The three Chinese versions all turn out to be successful. The evaluation of drama translation is determined by the degree of adequacy. Whatever strategies are used, the target text might be regarded as successful one when its purpose is satisfied adequately and functionally. One source text does not necessarily have only one target text,providing it serves its skopos. This point of view puts more tolerant and bearable attitude for drama translation evaluation. In order to solve the dilemma of drama translation, translators are suggested to adopt skopostheorie for guidance. Translators first understand their translation purposes, and then choose accordingly translation strategies and methods that can best serve the particular purposes. This provides a new concept for drama translation. Due to the limitation of my personal ability and the facilities to be able to get access to,this paper has left much room for improvement. Examples taken from the three versions are somewhat not the best ones to justify the feasibility of skopostheorie to drama translation. Moreover, I have no chance to cooperate with the experienced actors, thus the analysis is superficial to some extent, and thus further researches are advised to cooperate with theatrical professionals. Also it would be more helpful to combine translation theories with drama study, so that drama translation could be advanced in the near future. ……
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